Margherita is an Italian director struggling to concentrate on her movie despite a distracting situation at home with an ailing mother. Her challenges reach new levels at work and home as the lead actor is too hot for her to handle amidst the deteriorating health of her mother and it starts affecting her composure. Does she have what it takes to handle the demands, is what the rest of the movie focusses on.
Language:
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Italian
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Running Time:
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106 min
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Rating:
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R
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Release date:
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16 April 2015
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Directed by:
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Nanni Moretti
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Produced by:
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Nanni Moretti
Domenico Procacci
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Written by:
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Gaia Manzini
Nanni Moretti
Valia Santella
Chiara Valerio
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Starring:
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Margherita Buy
John Turturro
Nanni Moretti
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Music by:
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–
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Shot by:
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Arnaldo Catinari
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Editing by:
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Clelio Benevento
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Distributed by:
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01 Distribution
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What’s Hot
- When the film maker wants the audience to feel the plight of the lead character emotionally at home and work, it turns out to be an intelligent choice by Nanni Moretti to use screenplay as a tool. Alternating sequences showing the making her film during the day and those she spends with her ailing mother during the night make the audience feel empathetic towards the character while helping break monotony as well.
- Margherita leaves no stone unturned to ensure that she remains in control of her skills and her role demanded nothing short, being the pivotal character. She literally lives the character to make it look so convincing in every facet – a director, a mother, a sister, a daughter – all of which have their own complications.
- The air of humour amidst all the pain and suffering is just about the right medicine to lighten up things a bit. John Turturro as Barry Huggins, the self-focussed American actor who throws tantrums, is too good to ignore as he sets the screen on fire with his energy. The way he matures and settles into the crew is another well executed manoeuvre that engages the audience even more.
What’s Not
- For an averagely paced emotional drama, we felt the music and accompaniments were a touch low key and pretty flat. The numerous little though provoking spaces opened up by the story, looked bland as a result and left the audience stone faced we should say and killed the impact they could have had otherwise.
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