The concierge of a grand holiday hotel mentors a lobby boy who he sees fit to be his successor. He shows him how meticulous care & affection to rich, lonely clients can earn their loyalty. When the two end up on the wrong side of the legal heir of a lady who bequeaths a priceless portrait to the concierge, the duo is on the run!
Language:
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English
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Running Time:
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99 min
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Rating:
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R
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Release date:
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28 March 2014
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Directed by:
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Wes Anderson
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Produced by:
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Wes Anderson
Jeremy Dawson
Steven M. Rales
Scott Rudin
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Written by:
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Wes Anderson
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Starring:
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Ralph Fiennes
F. Murray Abraham
Edward Norton
Mathieu Amalric
Saoirse Ronan
Adrien Brody
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Music by:
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Alexandre Desplat
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Shot by:
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Robert Yeoman
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Editing by:
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Barney Pilling
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Distributed by:
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Fox Searchlight Pictures
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What’s Hot
- Wes Anderson is a genial film maker who has the canny knack of making films that are more like characters printed and given life on a canvas & this film presents a compelling case for such an argument. It has a funny crazy plot with a fine emotional line running underneath.
- Ralph Fiennes is among the unlucky few talents to have not got the Oscar yet & in this tale, as Mr.Gustave, he brings out the devouring skills of the character he plays to perfection. Tony Revolori, as his partner in crime, plays a bankable ally & brings out some enjoyably funny gestures. Rest assured this debutant would feature in Wes’ future offerings!
- An ensemble star cast is a trademark in Wes’ films and here we get to see Edward Norton as an astute officer, Adrien Brody as a conniving heir, Willem Dafoe as a terrorizing side-kick, Jeff Goldblum as a will-executor (note the classy accentuated speeches he makes), Jude Law as the writer to who the story is narrated & like one would expect, Bill Murray comes in a flash-and-you-miss role. Seeing them all gives one the kick.
- The film’s huge strength is the creative storyboarding & art-work and with brilliant sets of the grand Hotel, the alpine fields and ranges, the Mendl’s Cake box, cakes & vans – Taste to the senses!
- The experimental camera-work by Robert Yeoman & the unconventional editing from Barney Pilling come to the fore in the ultra-zoom & flash-cut segments respectively and make it work for an incisive cinema lover. Witty one-liners filled with sarcasm, music in the Museum scene & the action in the skiing blitz scene are other points worth a mention.
What’s Not
- The film is rather unconventional & has rapid cuts making it difficult for unseasoned audience to follow and enjoy what it presents.
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