What’s Hot

  • Denzel Washington carries some serious burden as the film’s director and as its lead player Troy Maxson but the heaviness doesn’t show on screen in both the way he has adapted August Wilson’s 1983 Pulitzer prize winning play & the way he plays its lead Troy displaying all the virtuoso and pride the character aligns with the fragility and guilt deep hidden deep inside it.
  • Viola Davis comes up with a knock-out performance as the ever-reliable Rose, the engine that keeps the Troy household chugging along. She goes about her business playing second-fiddle to Denzel till her moment in the film comes and when it comes, she ensures we feel and empathise with her life and sacrifices buried forever under Troy’s shadow.
  • For the most part, the film is set in the ‘Troy home’ but with some fine angles and frames Christensen’s cinematography removes the effect a staged play could have on its adaptation. Props such as the house itself, the baseball tied to a rope & the gin Troy shares with his friend have stories to tell on their own.
  • The supporting cast is able, skillful & earnest in their expressions: Lyons and Cory – the boys in the family, Bono – the family friend for years. But Mykelti Williamson who plays the disabled brother Gabe shines a little more than others with his chasing of the imaginary hell hounds.
  • Dialogues are the film’s mainstay. The outpour of Rose, the philosophical wisdom Bono shares (especially on reasoning out the other fascinating reason people build fences for) stand out.

What’s Not

  • Judgmental as it may sound, The tale’s protagonist becomes its antagonist all of a sudden and the transition leads to a fall in intensity as we head to the climax.

Badges

Acting
Direction
Cinematoraphy

Verdict

Verdict Stamp

In depicting the impact a man’s past and its crushing death could have on him, his outlook towards life & how thrusting it upon his family could become detrimental despite the respect and control he commands, Fences is a lesson on fragility for every household.