A 19 year old drummer at a reputed conservatory grabs the eyeballs & ears of the institute’s astute, no-nonsense instructor. He finds his journey towards achieving greatness has been made thorny & obsessive by his fanatical instructor and splits shabbily jeopardizing both their careers. Later, an ego tussle makes them attempt scaling boundaries hitherto unexplored in the drummers’ circle.
Language:
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English
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Running Time:
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107 min
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Rating:
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R
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Release date:
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20 February 2015
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Directed by:
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Damien Chazelle
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Produced by:
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Jason Blum
Helen Estabrook
Michel Litvak
David Lancaster
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Written by:
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Damien Chazelle
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Starring:
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Miles Teller
J. K. Simmons
Paul Reiser
Melissa Benoist
Austin Stowell
Chris Mulkey
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Music by:
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Justin Hurwitz
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Shot by:
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Sharone Meir
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Editing by:
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Tom Cross
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Distributed by:
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Sony Pictures Classics
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What’s Hot
- Whiplash is as much about life & greatness as it is about drums & jazz music. Damien Chazelle , the film’s director pays an ode not only to classic ol’ Jazz music but also to the greats from various fields making us think about the sacrifices & psychological risks they may have had to take to scale the pinnacles they did.
- The up & coming Miles Teller gets a break with this film & as Andrew Neyman, the prodigal drummer, his efforts look very real and commendable but not even he can match the effervescence J.K.Simmons brings with his role as Instructor Fletcher – A truly mind-blowing portrayal of serious showmanship & roof-collapsible satire!
- The film’s screenplay (also by Chazelle) is unassuming yet unpredictable and the overall essence of the entire film gets captured in a conversation between the two in a bar – a microcosm!
- The music & orchestration by Justin Hurwitz brings back Jazz to the future & the Art & Sets work by Hunter Brown and Karmarkar gives us a glimpse of music school classrooms!
- There is a dialogue that expresses how “Good Job” could be the two cruelest words used in combination to restrict human enadeavour and that deserves a special mention. The film has its share of justifiable conversations to make us secretly envy the obsession with which the protagonists see their profession.
What’s Not
- There are citations to musical prodigies from the USA & these drive home a point. Those unfamiliar with the Jazz scene are likely to miss these cues.
- The parallel love track, though having a very striking scene at a café, is a distraction at best.
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