With summer vacations offering free time in abundance & the Air-conditioned theatres offering solace from the scorching heat, the quarter from Apr-Jun used to be the one when a lot of Big films release but this is all a matter of the past. In these days of split ACed & LEDed homes and IPL action on screen with Pizzas giving company, films involving huge budgets consider it a risk to release films during the sporting carnival. Due partly to this & also because of delays in films like Ai, Vishwaroopam 2, this year, we didn’t have any mainstream commercial extravaganza but the caricature of the Superstar which came to the quarter’s rescue! More on the films that we believe were the most innovative over the previous quarter below.
141 min
- U Rated
- Directed by Chimbu Deven
- Music by Natarajan Sankaran
- Shot by S. R. Kathiir
- Edited by Raja Mohammed
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Oru Kanniyum Moonu Kalavaanikalum
Oru Kanniyum Moonu Kalavaanikalum was a movie that took everyone by surprise for its fantasy based story conveying the message that destiny changes with every passing moment in time. The humorous plot from Chimbu Deven, who has made fantasy movies his forte, gave us a well deserved break from clichéd entertainers that keep flooding the screens. It was a refreshing and fun watch despite having its flaws, greatly owed to a good cast performance led by Arulnithi.
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Naan Sigappu Manithan
Naan Sigappu Manithan was a fine revenge drama which had Vishal delivering an excellent performance as a youngster suffering from a medical condition that eventually causes him more grief than joy. Sizzling chemistry between Vishal and Lakshmi Menon stole the limelight amidst some masterful music from G.V.Prakash. Though the brutal depiction of certain events & disturbing subplot had us queasy, the impact was far reaching which made it stand out from the rest.
Full Review161 min
- U/A Rated
- Directed by Thiru
- Music by G. V. Prakash Kumar
- Shot by Richard M. Nathan
- Edited by Anthony L. Ruben
140 min
- U Rated
- Directed by Balaji Mohan
- Music by Sean Roldan
- Shot by Soundararajan
- Edited by Abhinav Sunder Nayak
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Vaayai Moodi Pesavum
Vaayai Moodi Pesavum was a film that the audiences were looking forward to, as its director Balaji Mohan had created a reputation of sorts after his debut film. Also contributing to the expectations was the Tamil debut of Mamooty's son Dulquer & the comeback of Madhubala.The film surprised everyone for the novelty of the content but the way it was presented clearly polarised views of the audiences - Some lapped it up & some lashed out at it. Nevertheless, it made heads turn & that made the film a winner.
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Yaamirukka Bayamey
Terrified by Horror? Well that’s what you would expect, but Yamirukka Bayamey showed us again that an amusing movie can be equally terrifying and entertaining when it has the right mix of horror and humor. Director DeeKay’s choice of actors lead by Krishna and Karuna was a clever one and the interesting dialogues made for a thoroughly enjoyable experience. Though the explicit nature narrowed down the target audience, overall it was a great watch for the grownups.
Full Review125 min
- U/A Rated
- Directed by Deekay
- Music by S. N. Prasad
- Shot by Rammy
- Edited by A. Sreekar Prasad
124 min
- U Rated
- Directed by Soundarya R. Ashwin
- Music by A. R. Rahman
- Shot by Rajiv Menon
- Edited by Anthony
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Kochadaiiyaan
Amongst disappointed voices that refuse to even watch Kochadaiiyaan owing to the allegedly sub standard quality of animation, it takes a broader perspective to distinguish the performance capture technology used, from plain animation. It is something truly revolutionary where a pioneering attempt is made to animate real humans(even dead ones if you consider Nagesh) and their un-substitutable body language. When this attempt gives birth to more sophisticated ventures in the future, we can enjoy legendary actors spanning generations, share screen space. Thengai Srinivasan with Dhanush, Silk Smitha with STR, Raghuvaran with Kamal Hassan - the possibilities are endless. The fact that Rajinikanth had the guts to take on this medium is all the more satisfying considering his favoritism towards commercially viable projects.
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Of all the slangs of Tamizh, the Coimbatore slang is something that always inspires comedy. It is an important reason why we still enjoy and laugh at the classic Koundamani-Senthil comedies. Mundasupatti had used the slang so effectively to deliver a comic riot. With subtle criticism and sarcasm on superstitious beliefs, that existed and villages in the 1980s, the film never takes sides but has still delighted the audience like never before. Strong performances all around with Kaali Venkat & Ram Doss bringing down the roof with their marvelous timing & modulation, accompanied by the elegant music of Sean Roldan, combined with the excellent frames & slow motion shots by P.V.Shankar, made this one of the most enjoyable films this summer.
Full Review148 min
- U Rated
- Directed by Ram Kumar
- Music by Sean Roldan
- Shot by P.V. Shankar
- Edited by Leo John Paul
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