Trisha and Sid are a carefree couple, who live by their own rules. When Trisha becomes pregnant accidentally, after initially deciding against the child, the couple give birth to a girl cutely named as Millie. The spice in their married life starts waning with the kid’s arrival. How they cope with the new arrival and how their life changes, for better or for worse, is what Shaadi ke side effects is all about.
Language:
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Hindi
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Running Time:
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145 min
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Rating:
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U/A
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Release date:
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28 February 2014
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Directed by:
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Saket Chaudhary
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Produced by:
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Ekta Kapoor
Shobha Kapoor
Pritish Nandy
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Written by:
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Saket Chaudhary
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Starring:
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Farhan Akhtar
Vidya Balan
Ram Kapoor
Vir Das
Gautami Kapoor
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Music by:
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Pritam
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Shot by:
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Manoj Lobo
Rishi Punjabi
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Editing by:
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Sanjay Sharma
Amitabh Shukla
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Distributed by:
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Balaji Motion Pictures
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What’s Hot
- Farhan Akhtar as Siddharth Roy completely steals the show with his strong acting skills and emoting capabilities. He connects to the audience effortlessly with this spot-on timing and his rendition of the dialogues make us empathize with him.
- The casting of supporting actors has been well thought of. The actors fit into the role snugly like a glove to a hand. Be it “Bachelor” Manav, “Perfect Man” Ranveer, “Neighbour” Shekhar or “Headstrong Aunty”; every character has been written well giving individual space and traits.
- The script brings out the hard-hitting realities that an Indian upper-middle class family undergoes while trying to be themselves in addition to making ends meet. The occasional picture perfect moments are really heart-warming.
What’s Not
- For an actor who has feathers like ‘Kahani’, ‘Dirty Picture’ and ‘No one killed Jessica’ to her cap, Vidya Balan’s character is very weak and does not have enough screen-space. The effort to project her as a working woman, a loving wife and a perfect mother somehow fall flat despite her desperate efforts.
- The narration is one-sided as the story revolves around how Sid faces the everyday challenges at the household and how his dream is shattered. There is very minimal focus on the rest of the family/household in building the story.
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