Lens (English, 2015)
Lens is well-intentioned independent film that is technically & thematically rich while it depicts voyeurism in digital space. It could have been much more hard-hitting had the language been chosen as Tamizh rather than English.
Sairat (Marathi, 2016)
Films like Sairat that are thematically and cinematically rich are rare. The hype associated with the film fueled by both the critics & audience is certainly justified. It is extremely refreshing to see the Indian audience embrace such a film full of fresh-faces whole-heartedly. Do not miss this in THEATRES!
Velainnu Vanthutta Vellakaran (Tamil, 2016)
The hilarious comedy that is strewn all over the movie is powerful enough to make the audience to forget the average execution of a timeworn and incredibly thin story line, while they are busy laughing their lungs out – a proven modus operandi that is bound to succeed!
Iraivi (Tamil, 2016)
If Iraivi can be likened to an Onion, the core layers of it have enough juice in them to make your eyes (senses) cringe & root for the women in it but how much you root for them is impeded by its prominent and contrived outer layers, much like the outer layers of onion that are functionless.
Uriyadi (Tamil, 2016)
‘Uriyadi’ is a one-of-a-kind hard hitting and gutsy movie aimed at creating a thriller that builds equal portions of intrigue and suspense with some clear thoughts going into the making - a veracious attempt that respects the intelligence of the audience!