Perspectives2018-05-26T19:24:25+05:30

Our Picks from Q4 2016 : Tamil Films

The last quarter of the year, for all practical purposes over the last few years, is an extended one going by the latest trend of movies releasing in the last couple of weeks in December. Such schedules have gone on to become a film editor's nightmare who would otherwise have his/her list prepared in time for the New Year's Eve. Precisely for that reason, we have our last quarter's coverage extended to the week before Pongal. Over this extended quarter, there were two grand festivals - The Navarathiri week that was lit up by the Remo, Rekka, Devi trio followed by Deepavali, which, despite the lack of a huge star film release, clicked with the release of Dhanush's Kodi that surprised us with its meaty role on offer for the female lead! Gautham's reunion with Simbu in AYM was the big release in November & with the Chennai Sharks' reunion in Venkat Prabhu's Chennai-28 II early in December, the holiday mood got set in advance. The year ended on a fine note with 21 year old Karthick Naren's Dhuruvangal 16 coming literally out of nowhere and knocking the viewers over with its presentation. 2017 might be that year, after years, when films of all the four big stars in Kollywood might have a release. Which 4 are we talking about?! We will leave that to your imagination. On that note, let's head to give one last good-bye to 2016 with our picks from its last quarter.

By |2017|0 Comments

The ‘Assault’ Sethu of Kollywood’s 2016

In popular opinion, the year that has almost gone by, has been considered one of the most cruel ones with its share of bad news and happenings considerably higher than the share of good ones. There are always exceptions . Virat Kohli, for example, may not agree. He has had one of the most accomplishing years in his ever-growing cricketing career. Looking for an exception within the Kollywood circles, you needn’t go any further than Vijay Sethupathi!

By |2016|0 Comments

Our Picks from Q3 2016 : Tamil Films

The third quarter of 2016 saw quite a few critically acclaimed performances pitted against just the one blockbuster candidate - Superstar Rajni's Kabali which despite being a brilliant attempt that deserved more recognition, failed to live up to the misleading pre-release hype and set a sobre tone for the rest of the quarter that largely served quantity over quality! Notable disappointments included biggies Thodari and Irumugan while the low-key releases like Andavan Kattalai and Kutrame Dhandanai hogging the limelight. Joker turned up the heat big time and proved to be the ultimate dark horse that had a unanimous positive response in stark contrast to many other movies that led to polarizing opinions among both critics and the general public. Now lets walk through those deserving movies that made it to our top-picks

By |2016|0 Comments

Our Picks from Q2 2016 : Tamil Films

The summer quarter of 2016 has been refreshingly good for Kollywood, continuing the momentum that Q1's top quality films provided. We had two star vehicles in form of Vijay's blockbuster hit Theri and Suriya's experimental, yet wholesome 24. Those apart, the surprises came either through small films of smart film-makers whose films (Metro, Uriyadi etc.) garnered attention through word-of-mouth or through people with a repute changing paths in a way that pleases us - Udhayanidhi's Manithan & Karthik Subbaraj's women-centric Iraivi for instance. There were a number of ambitious and over-ambitious duds too, which made K-town hit the 100 mark a little earlier than previous years. Is that a good or bad sign? Trend will take care of giving us an answer to that. Before we get to our top picks, time to congratulate Vikram, Nayanthara, Mohan Raja, A. R Rahman & others on their Filmfare award wins!

By |2016|0 Comments

Gender Stereotype Inversion in Indian Cinema

Just like how Cricket has always revered its batsmen more than its bowlers, Cinema in general has always been Hero-dominated rather than give space for the Heroines. There have however been quite a few instances across the world where few women have risen above the men to have scripts solely based on them and their ability to shoulder the film, a Meryl Streep for example. And of course, there are quite a few filmmakers who do not go by the agenda of hero or a heroine but rather let the script dictate the choice of the protagonist’s gender.

By |2016|0 Comments